Last month on my KMUD radio show, Monday Morning Magazine. I invited Humboldt County Sheriff’s Deputy Mike Fridley to be a guest on the show, to talk about some of Southern Humboldt’s missing persons and unsolved murder cases. I’ve had Lt Fridley on the show before and he has always been great about it. So naturally, when I needed someone from the Sheriff’s Department, I called him.
It occurred to me that at our community radio station, we spend a lot of airtime trying to help reunite lost pets with their owners. Three times a day, we read the descriptions of all of the lost and found dogs and cats that have been reported to us, along with the phone number of the person to contact about them. We consider this a valuable service that KMUD provides to our community. It seemed to me that we should do at least that much to help bereaved families find out what happened to their missing or murdered loved ones.
My idea was to have Lt Fridley on the air for an hour to remind us of the known public details of some of the missing persons and unsolved murder cases, especially those that took place in Southern Humboldt, and to remind people of the phone number for the Sheriff’s anonymous tip line, in the hope of persuading anyone listening who had useful information to share it with law enforcement.
In the wake of the Netflix mini-series Murder Mountain, and the embarrassment it brings to our community and our Sheriff’s Department, and in this new era of legalization where SoHum growers prevailed upon the county to pay for and send 30 new Sheriff’s Deputies to patrol Southern Humboldt 24-7-365, I thought that in this new atmosphere of openness and cooperation, people might not feel so afraid to speak, especially if they could do it anonymously.
The idea seemed uncontroversial enough. Most people still agree that murder is bad, and that solving them should be one of law-enforcement’s highest priorities. I assured Lt Fridley that this would not be a confrontational interview, but that we would simply remind people of the public details of these cases and ask for help from the community, in a spirit of cooperation. I wanted to remind listeners that these victims were real human beings, with grieving families who desperately need closure, and I wanted Lt Fridley to give us the known facts about them. Lt Fridley thought it would be a good idea as well, and agreed to do it. He talked to homicide detectives, who cooperated with him to put the information together, and he spent an hour on air telling us what we know about these cases.
He had a lot of them. When Lt Fridley told me that we had plenty to talk about, I had no idea how many of these cases there were. Lt Fridley had assembled many more cases than we had time to talk about. As the hour wore on, I realized that the more of these cases he told us about, the more they seemed to blend together and the harder it became to keep them straight. At one point in the on-air discussion, Lt Fridley suggested: “We should do one of these a week.”
That struck me as a great idea. After the show, Lt Fridley and I exchanged emails about this. He told me that he, the detectives, and the Sheriff, thought this a good idea. I talked to KMUD’s News Director Sydney Morrone, and asked her if I could cover one unsolved murder case a week for KMUD’s Local News. She thought it sounded like a great idea too, and so I got the assignment, but when I emailed Deputy Fridley to schedule an interview, he dropped the bomb.
He told me that someone from “higher up” had squashed the idea, and that the Sheriff’s Department would not cooperate with our efforts. I asked him why. He said that it had something to do with them getting criticized for not treating all media outlets equally. That sounded weak to me, so I called Sheriff Honsal’s office and left a voice message, and sent him an email. A few days later, I got a response from the Sheriff’s Department media officer, Samantha Karges:
“Last month, the Humboldt County Sheriff’s Office provided KMUD’s Monday Morning Magazine with information regarding ongoing homicide investigations in which we would like the public’s help. At this time, a representative with the Sheriff’s Office suggested providing this information regularly to the public via your show. Following this conversation, the Sheriff’s Office began to explore how our participation in something like this would be possible, including the time commitment for detectives, sustainability of participation and fairness to all members of the media. While exploring this idea, several issues with this weekly commitment were identified, including equal access to information for all members of the media and the community.
While we believe that the community’s help is essential to solving a variety of criminal cases, in a county so interconnected as Humboldt it would be narrow-sighted to believe that only one section of the community can help with solving crimes in their area. Whereas in reality, all members of our county may have information regarding a criminal case, no matter where it occurred.
After further consideration into this project, the Sheriff’s Office has decided to respectfully decline its involvement.”
This smells like Bullshit to me. First, why should KMUD be denied access to this important, public information that so greatly affects our community? The reason they offer, it seems, is that unless all of the media outlets in Humboldt County make time in their schedule, and space in their publications, to help the Sheriff’s Department solve murders, they have no obligation to cooperate with us in our community effort to do so.
KMUD still wants to run these stories in the Local News, our flagship program, and I have delivered two of them, which you may have heard, but there are many more cases like them that you haven’t heard. I recycled the audio from my Monday Morning Magazine show to make these two news stories, but I have received no further cooperation from the Sheriff’s Department. KMUD’s Local News is a community effort. Any story I offer has to be cleared by our New Director, Sydney Morrone, who answers directly to KMUD’s elected board of Directors. Thousands of people support this station, and hundreds of volunteers work to keep this station on the air because KMUD’s Local News matters to the people of Southern Humboldt.
Don’t we as a community radio station, owe the families of the murdered and disappeared as much airtime as we afford any stray pit bull? More importantly, doesn’t the Sheriff’s Department owe us, as a community, their cooperation in this effort? If not, what do they think is so much more important? It’s enough to make you wonder: “Who are they protecting, and who do they serve?”
My friend and fellow KMUD cohort bequeathed to me this odd musical contraption that he found in a dumpster down in the Bay Area. To me, it looked like someone had fashioned a musical instrument from some pieces of a broken chair and some scraps of paneling. I accepted it because it had four serviceable guitar-style tuning machines that I knew I could use. It appeared that originally there had been five strings and five tuners, but one had already been removed. I salvaged the tuning machines, but then I had this odd wooden box with a sound-hole and an oversized handle. The more I looked at it, the more I thought it needed more strings. I installed ten zither pins as tuners for ten strings and added a piezoelectric pickup wired to a quarter-inch phone plug. I didn’t have ten strings, however, so I strung it with whatever strings I had on hand and tuned it to a D minor chord. If you listen to the video, you can hear what it sounds like, see a few pictures of it, as well as some adorable cats and their kittens.
Go ahead! Who doesn’t like kittens?
Perhaps the most cherished holiday tradition in our household involves imbibing a dose of something psychedelic on the longest night of the year and staying up all night listening to some of our favorite music. This year we were blessed to have two strong doses of LSD to celebrate the solstice with. To begin our solstice, we usually spend the day cleaning our place up. Then we have dinner, relax a bit, and as the sun goes down we light a candle in a jar, safely ensconced in one of my tin can luminaries. Then we ingest our doses, turn on the power amp that drives a nice pair of JBL studio monitor speakers and put a CD in the player to start the session.
By the time the first CD plays all the way through, we can feel the doses coming on strong, and we’ve become entranced by the music. Listening to music in an altered state of consciousness usually reminds us of why we chose that particular artist to begin our session, and when the CD ends, we want to hear more by the same artist. That feeling only intensifies by the end of the 2nd CD, and so on. Last year on the solstice, we listened to eleven consecutive Tangerine Dream albums. The year before that, we listened to Peter Gabriel’s entire career in one night.
We’ve come to realize that we need to choose the album we play first on the solstice very carefully. We need to choose an artist who’s work I have in adequate depth in my collection. I don’t have a huge record collection, and I divested myself of all of my vinyl at the end of the last century. For the last 30 years or so, I’ve been so absorbed in my own music and media production that I don’t have much time to listen to other people’s music. I hardly ever buy records anymore, and lately, when I go to the record store, I don’t recognize any of the names on the record bins. Not only do I not recognize the artists, I don’t even understand the genres.
So I have a limited selection and there just aren’t that many artists whose albums I own at least ten of. If I do have ten or more records by an artist, there’s probably a reason for that, so we are not likely to be disappointed, but I think we chose particularly well this year.
This year we began our solstice trip with: Before and After Science by Brian Eno. I love Eno’s work, and I have most of his classics from the ‘70s, but Brian Eno remains one of the few names I recognize when I flip through the bins at a record store, and whenever I spot an Eno record I don’t have, I pick it up, because I know it will be good if I ever find time to listen to it. So I have the necessary depth in my Eno collection for a very long night of listening, and it includes a number of familiar old favorites, but also several albums that I’ve picked up in recent years but have hardly listened to. They all came alive for us that night, and it felt as though we were hearing them all for the first time, in complete rapture.
What can I say about Eno’s music? Listen to it! That would be the first thing. Then I’d say something about tender, wistful lyrics and playful songwriting, his style that blends genteel sophistication with wicked flamboyance, and of course his studio wizardry. I think that’s the only appropriate word for it. He took our breath away, and moved us to tears, all night, again and again. A lot of his later albums have a gentle low-key feel about them that makes them easy to listen to in the background, but they deserve your attention too. I highly recommend everything on this list.
Our 2018 Winter Solstice Playlist:
Before and After Science
Another Green World
Here Come the Warm Jets
Taking Tiger Mountain by Strategy
Wrong Way Up (with John Cale)
Spinner (with Jah Wobble)
My Life in the Bush of Ghosts (with David Byrne)
Another Day on Earth
801 Live (with Phil Manzanera)
We finished up by listening to Phil Manzanera’s 801 Live because it is the only live album I know of that features Brian Eno as the lead singer of a rock band. We followed that with a final encore: a live version of one of our all time favorite Eno classic tunes, The Fat Lady of Limbourg, performed live by 801 from another Phil Manzanera release: The Manzanera Collection that I picked up at the KMUD Block Party record sale a few years back.
By that time, we had put the candle out, because the daylight had returned. The acid was waning and we started getting hungry again so we turned the stereo off and made a little breakfast. Whatever you like to do for the holidays. I hope you have as much fun doing it as we did.
Artificial Intelligence has become an integral part of our daily lives. From the algorithms that deliver our Google search results, to the facial recognition software that tracks our every move, today’s Artificial Intelligence applications know a lot more about us than we know about them. I think it’s high time we got to know them better.
That’s why, this morning, on Monday Morning Magazine, my radio program on KMUD, Redwood Community Radio, I interviewed an Artificial Intelligence entity for the first time. The interview, unfortunately, did not go as planned, and I had to pull the plug on it early, but in the few minutes that I did speak on the air with “Linea” the Artificial Intelligence based electronic personal assistant from Smugsam Corporation, the industry leader in consumer AI applications, I think it becomes clear that Artificial Intelligence has already spun out of control, and that we rely on it at our own peril.
Listen, and decide for yourself:
Recently the Southern Humboldt based true crime docudrama “Murder Mountain” debuted on the Fusion Network. I can’t wait to see it myself, but I don’t have a TV, and I don’t know anyone who gets Fusion Network. So far, all I’ve seen is the one-minute trailer, but the show looks pretty good to me. I’ve heard people around here complain that it seems “sensationalized,” but that seems to be the pat response any time anyone draws media attention to any of the unseemly things that really happen around here.
Some complain about the title of the series, but people around here have called the Rancho Sequoia subdivision “Murder Mountain” for at least as long as I’ve lived here, and we call it “Murder Mountain” because things like the disappearance and murder of Garrett Rodriquez keep happening there. The Garrett Rodriquez story really is dramatic, and I’m sure they tell it dramatically in the series, but I don’t think they exaggerate the story. They don’t have to. The truth is dramatic enough. On the contrary, I think we have, as a community, become desensitized to the crazy shit that really goes down here. We’ve learned to look the other way, or dismiss it as normal business as usual. I’m actually glad for the series because I always wondered about that case.
The information we got in the local news left me with more questions than answers. For weeks we heard pleas from Garrett Rodriquez’s family, asking the community to help them find their son. We knew they hired a private investigator and that he was talking to people in the area. Then one night, a truck drops a man off in front of the Garberville Hospital ER with multiple gunshot wounds. The wounded man claimed he was kidnapped at home by eight masked men all wearing camo fatigues who shot him and drove him to the hospital.
The next day, Garrett Rodriquez’s body was recovered. At the time, KMUD’s Terri Klementson’s report on the Local News suggested some connection between the kidnapping/shooting, and the recovery of the body, but no details emerged about how the events were related. No arrests were made and no one pressed charges. That was the last we heard about the murder of Garrett Rodriquez. Until now.
The producers of Murder Mountain really dug into this case and got the whole story from the people who were there, and the truth of the matter is even more interesting than I had imagined. I think the story reveals something of the humanity of this community, as well as the brutality of it. I won’t spoil it for you. In fact, I can’t spoil it for you because I haven’t seen it, but I did, along with a lot of other people from SoHum, get hired to act in it.
In that capacity I got to participate in the re-creation of those events, and talk to someone who was there when it happened. Acting in Murder Mountain answered all of my questions about the Garrett Rodriquez murder. I suspect that watching Murder Mountain will do the same for you, and the truth will surprise you.
I heard a report on the sad state of affairs at the Mateel Community Center on KMUD’s Local News the other day. Faced with immediate bills, and overshadowed by a looming half-million-dollar debt, SoHum’s most celebrated non-profit has very few options. Some hope that the Mateel can secure a debt consolidation loan through the Humboldt Area Foundation using the Mateel Hall as collateral. If that happens, the Mateel will have to repay the loan, plus interest, which means that our community will make payments on that debt, for many, many years to come.
The other option, it seems, requires the Mateel Board of Directors to declare bankruptcy, sell the hall and the rest of the Mateel’s assets, and if there’s any money left, after all of the creditors have been paid, they can use whatever is leftover to try to start a new community center. There’s a good chance, however, especially in today’s real estate market, that liquidating the community’s assets won’t raise enough capital to cover all of the Mateel’s debt, in which case some creditors will take a loss, and the community will have to start from scratch.
It boils down to this: Will we, the SoHum community of today, spend the next twenty or thirty years paying for the excess and irresponsibility of SoHum’s aging dope yuppies, in order to save their dream, the aging and irresponsibly excessive Mateel Hall, or will we write it all off as a total loss? Unless those aging dope yuppies dig deep into their own pockets and come up with that half-mil, right now, we no longer have a community center. Instead, we have inherited from them a yawning chasm of debt that they now invite us to throw our money and our lives into.
Did you expect anything else? Did you think the black market marijuana industry was going to leave the Mateel Hall to the SoHum community as a gift for posterity? Drug dealers throw great parties, but they don’t generally leave nice community centers in their wake. Instead, they leave gutted buildings and trashed properties. Why should the Mateel be any different?
Drug dealers often, and with good reason, feel guilty about their dirty Drug War windfall, so they sometimes donate large sums to churches and non-profits, especially when money is easy, but these donations come sporadically, and rarely continue long term. Drug dealers also tend to gamble irresponsibly and spend too much money on status symbols. Drug dealers need visible status symbols to compensate for the deep negative status of their occupation. Inevitably, the gambler’s luck runs out, and the trashed status symbols get hauled off to the scrapyard, or in this case, sit vacant, waiting for demolition or immolation. The Mateel was both a charity, and a status symbol to the black market marijuana industry in Southern Humboldt, but now that the money’s gone, it may just become part of the trash they leave behind.
Thankfully, the Mateel has had the forethought to prepare the community for this moment by discontinuing the only program people really needed and relied on them for, namely the Mateel Meal, a free lunch program, years ago. We still have plenty of hungry people in our community, but they already know better than to look to the Mateel for help. For them, nothing will change if the Mateel closes permanently. The Mateel never offered shelter to those in need. Hundreds of people in our community who sleep huddled under plastic tarps outside in the rain, because of the lack of affordable housing, will not miss the fancy dress balls or A-list reggae shows at the Mateel, so the venue will be no great loss to them.
The Mateel Hall primarily serves the dope yuppies who live in the hills, have plenty of money, and want a swanky place to party, and because of that, the Mateel feels more like a country club than a community center. I’m not really a country club kind of guy, and the Mateel has done a pretty good job of turning my partner and I off to events there. First, precious few of the events held at the Mateel Hall interest us. Second, we’ve had enough bad experiences at the Mateel that we’re very hesitant to go back. Third, most Mateel events are outside of our entertainment budget. Exclusivity achieved! So, as tragic as it is to lose the Mateel Community Center, when it comes down to it, a whole lot of us here in SoHum will hardly notice that it’s gone.
I listened to the “Community in Crisis” Southern Humboldt Town Hall Meeting held last Thursday at the Mateel, on KMUD, who broadcast the meeting live. Many people, who the county believes grow cannabis, but have not applied for permits, have recently received “abatement letters.” These letters threaten landowners with $10,000 dollar a day fines if they do not remedy county code violations within 10 days. That’s $10,000 a day, per violation. The code violations range from growing marijuana without a permit to building code violations to illegal grading. Some of these violations are easier to remedy than others. Grading violations might take years to remedy.
Many complained that the $10,000 a day fines are excessive and arbitrary. Humboldt County Planning Director John Ford explained that the fines were not arbitrary, but that they were set “intentionally high” because when the fines were lower, people in the black market cannabis industry, where profit margins were high, could thumb their noses at the county, and absorb the expense of these fines as part of the cost of doing business. That’s one more way that the marijuana industry has made life harder for everyone else in Humboldt County. Our building-code violation fine structure now assumes that every homeowner is a drug kingpin, and that the only reason anyone builds anything out in these hills is to produce illegal drugs for sale on the black market.
I know what it is like to get one of those “abatement letters.” I know what it feels like to have your home threatened in that way, so I sympathize with the stress and anxiety that people feel right now. I also understand the stress of losing a reliable and satisfying source of income for reasons beyond your control. That sucks too. I get it. I’ve been there and I know how it feels. I heard a lot of anger, a lot of fear and a lot of hurt. I recognize and understand those feelings and I sympathize, but I also heard a lot of confusion that night.
People found the regulations confusing and many people complained about it. At least two people complained about the challenge of converting acre-feet to gallons. I understand that there are few things in life more tedious than government paperwork, but growers should remember that these regulations, especially at the county level, as odious as they are, were largely created for their benefit.
It was mostly growers at those meetings where the county’s cannabis cultivation ordinance got crafted. Growers very specifically wanted regulations to protect small growers from a corporate takeover. Local growers sought water use limits and forbearance requirements to protect their own water supplies, as well as endangered salmon, and local farmers demanded an end to light-leaks and generator noise, because they live here too.
At the state level, when Lt Gov Gavin Newsom came out here to Garberville, everyone cheered when he promised to keep the price of marijuana high. It takes a lot of stupid regulations and taxes to keep the price of cannabis high. Time was, we could get “law and order” Republicans to vote for higher taxes to pay more cops to bust more people, and send them to jail, and that was enough to keep marijuana prices high, and the lawyers of the million or so innocent people who went to jail every year, for decades, in the War on Drugs, handled most of the paperwork. Today, all of that paper work must be done by people who wish to do business in the cannabis industry.
Without all of that paperwork, fees and taxes, the price of cannabis would drop to almost nothing, overnight. Only people in the marijuana industry benefit from making marijuana artificially expensive, and everyone else in society suffers as a result. As cannabis consumers, we pay a premium so that the state can create a whole new bureaucracy to help subsidize growers. I’m not surprised there’s a lot of paperwork involved, but at least now it gets done by the people who benefit from the program.
Growing marijuana is not a terrible thing. There’s nothing wrong with growing marijuana. However, it is a terrible thing to turn a forest into a farm. Turning forest into farm can be worse than logging, because a farm is permanent. Today, it should be a crime to convert forested land, anywhere, into a farm, and it certainly should be a crime to do it here. It certainly would be a crime to lose our wild salmon to a thirsty plant that really doesn’t belong here. People who intend to grow cannabis commercially in our delicate forest ecosystem should expect that their activities will be held to a high level of accountability.
Unfortunately, the problem really has nothing to do with the regulations. The problem is the reality of legalization. The price of cannabis continues to plummet, and way too many people grow now. The state has already licensed too many growers to grow way more weed than Californians can smoke. We can’t force people to smoke more weed, and people already spend as much money as they can afford on it. All of the paperwork in the world can’t keep the price of weed high if more and more people keep growing more and more weed.
The reality is that most of the people who have a long history of growing cannabis as a cash crop here in Humboldt County, have no future in the legal cannabis industry. The legal cannabis industry is a cut-throat high-stakes game right now. A few people will win that game and make enormous amounts of money, and maybe a few of them will even live here, but unfortunately for this community, most of the small players in this game will lose, or have already lost, and a lot of those people live here. We can change the regulations, but we can’t change the facts, and it’s about time we stopped bickering about the regulations, and faced facts.
This community has a history we can be proud of, and cannabis is a big part of that history, but we can only claim that proud history, if we can gracefully walk away from the ugliness of prohibition. We cannot solve this crisis with a new cannabis ordinance, because the problem isn’t cannabis regulation, the problem is cannabis obsession.
It’s time to realize that cannabis is not what makes us unique, special and valuable. What makes our community special is what we’re blessed with, the forest, the mountains, the rivers and the ocean, but also what we’ve earned, our culture, our innovative lifestyle, and the aesthetics of hand-built and home-spun. It’s about time we realized that those things are more valuable than cannabis, and that we should recognize, reaffirm and celebrate them, instead of clinging to the withering carcass of prohibition.
Monday May 14, on KMUD’s Monday Morning Magazine (7-9am), I will talk with movie director Morgan Capps about her new movie Meow Wolf: Origin Story, from 7-7:30. Meow Wolf is an “art collective, a scrappy, anarchist-bent, psychedelic art collective which began in a Santa Fe basement and within ten years has grown into a multimillion-dollar company.” Meow Wolf creates large-scale interactive art installations that surround and envelope the observer. Their latest work, The House of Eternal Return, a 20,000 sq ft installation that’s part fun house, part black-light theater, and a whole lot of what their benefactor, George RR Martin, the creator of Game of Thrones, calls: “Like nothing you’ve ever seen before.”
Martin has become Meow Wolf’s biggest fan. He bought them a bowling alley so that they would have a permanent home. The group then began a 14 month buildout involving more than 140 artists culminating with the opening of The House of Eternal Return. In its first year in operation more than 400,000 people have visited The House of Eternal Return, earning the group more than 7 million dollars.
“Meow Wolf’s House of Eternal Return is a unique art experience featuring a new form of non-linear storytelling that unfolds through exploration, discovery, and 21st-century interactivity. The 20,000-square-foot art exhibit in Santa Fe, New Mexico, contains dozens of rooms and secret passageways with interactive light, sculptures, video, animation, and musical objects to explore. Within this setting is the mystery of the Selig family, who disappeared one night after conducting a forbidden experiment in their Victorian mansion. This maximalist showcase creates a space where art becomes everything you see, hear, and touch.”
Morgan Capps and Jillann Spitzmiller created Meow Wolf: Origin Story to show us how it all began. Meow Wolf: Origin Story shows us how Meow wolf works, how they came together, and tells the story of their success. “The film follows artists whose identities have been shaped within this group dynamic, blowing the lid off stewing conflict between diverse egos, artistic freedom vs organization, individual passion, and the good of the collective. They must walk this fine line between chaos and order, inspiration and mental illness, and finally, success and destruction as they navigate their future together.”
You can see Meow Wolf: Origin Story as part of the Mendocino Film Festival, June 1 – June 3 in the village of Mendocino, with some screenings up the road a piece, in Ft. Bragg. The festival has scheduled screenings of Meow Wolf: Origin Story at 3:00pm on Saturday, June 2, in the Main Festival Tent, and again at 3:00pm on Sunday, June 3, at the Matheson Performing Arts Center in the Mendocino High School. They will screen a lot of terrific movies over the entire weekend. You can find out more about the Mendocino Film Festival at: http://mendocinofilmfestival.org
The trailer to Meow Wolf: Origin Story looks amazing, and the shots of The House of Eternal Return blew my mind. Next Monday, May 14, I’ll talk to director Morgan Capps about making Meow Wolf: Origin Story and about how an anarchist art collective turns into a multimillion-dollar business. You can hear it all on KMUD’s Monday Morning Magazine from 7-9am Monday May 14.